I create and inhabit worlds where sound becomes both weapon and sanctuary. My identity is rooted in the industrial and experimental, a fascination with machines, decay, and transformation, where noise is not chaos but a language of resistance. I see sound as an extension of the body, a force that can dissolve boundaries between flesh and circuitry, the organic and the mechanical. In my work, I search for ways to challenge control, to disrupt systems, and to carve out new spaces where vulnerability and power collide.

My beliefs are shaped by the idea that art should resist assimilation into capitalist structures, that noise and distortion hold radical potential. Feedback, error, and collapse are not failures but essential forms of creation. I am inspired by the raw energy of industrial pioneers, the body-horror of films like Tetsuo: The Iron Man and Akira, and the haunting reflections of Blade Runner. My practice is less about offering answers and more about building machines, soundscapes, and narratives that ask unsettling questions about the body, technology, and the futures we are moving toward.